FIGURE-7.-Bird’s-eye-view-representation-of-the-positioning-of-the-dizi-player-and-his-speaker By Andrea Femminini21 Aprile 2020Lascia un commento
FIGURE-6.-Looking-towards-the-stage-from-the-audience-area-at-one-of-the-semi-permanent-arenas. By Andrea Femminini21 Aprile 2020Lascia un commento
FIGURE-5.-Bird’s-eye-view-representation-of-a-singer-performing-within-an-o-space-formed-by-the-audience-circle. By Andrea Femminini21 Aprile 2020Lascia un commento
FIGURE-4.-Bird’s-eye-view-plan-of-the-experimental-performance-location-near-the-Yuema-Chang-bus-stop,-Wuluo-Road,-Wuhan By Andrea Femminini21 Aprile 2020Lascia un commento
FIGURE-3.-The-old-park-location,-with-a-variety-of-paths-and-clearings-of-different-shapes-between-trees. By Andrea Femminini21 Aprile 2020Lascia un commento
FIGURE-2.-Area-of-central-Wuhan-of-approximately-3km-x-4.5km,-with-jiqing-guangchang-event-locations-in-autumn-2014. By Andrea Femminini21 Aprile 2020Lascia un commento
FIGURE-1.-Banner-displayed-at-Promoter-Zhuang’s-park-stage. By Andrea Femminini21 Aprile 2020Lascia un commento
Chinese Street Pop and Performing with the Urban Environment Etnografie Sonore n° II/1, 2019, Saggi, Samuel HorlorBy Andrea Femminini21 Aprile 2020Lascia un commentoII_1-2019_Horlor_pag-39