Note sugli autori – Etnografie Sonore n° II/2, 2019
II_2-2019_Note sugli autori_pag-203
Association for Cultural Equity (ACE): Stories of an Archive
FIGURE 1. Alan Lomax in Dominica, Caribbean Islands, 1962 FIGURE 2. Alan Lomax at the Delta Blues Festival in Greenville, Mississippi, 1979 FIGURE 3. Screenshot of the interactive map in The Global Jukebox website FIGURE 4. The film archive in the original offices of the ACE II_2-2019_Lomax_pag-161
From Mud to Music: The Production and Uses of Clay Drums in Morocco
FIGURE 1. Screenshot from Tarija from mud to music showing the construction of a ta’rīja FIGURE 2. Ta’rīja-s of different sizes in Ahmed Rougan´s workshop (Sebt Douib) FIGURE 3. A member of the h. amādša confraternity playing a harrāz in Marrakech, during a visit of the king Mohamed VI (December 2016) FIGURE 4. Some of…
Competenze femminili nel canto a più voci di ambiente contadino della Sicilia orientale
4:08 Capillu rrizzu nciammatu r’amore (Capelli ricci infiammati d’amore) 237 views 1:27 Spunta lu suli (Spunta il sole) 183 views 1:44 Àcula si d’aggentu ie potti l’ali (Aquila sei d’argento e porti le ali) 145 views 2:21 Occhi di na camelia ceca amanti (Occhi di una camelia acceca amante) 129 views 1:29 Ora l’amici mia…
Analisi formulaica e caratterizzazione oicotipica in etnomusicologia: il caso delle epiche curde Mem û Zîn e Kelaê Dimdim
Carta geografica del Kurdistan con indicazione delle varietà linguistiche del curdo e dei siti di rilevamento per M&Z e per Dimdim (DOWNLOAD PDF INTERATTIVO)
«Less Is More, My Friend!». Sibongile Kgaila and Solly Sebotso: Four-String Guitar Song Composers from Botswana
FIGURE 1(a). Ronald “Ronnie” Moipolai performs his characteristic motional pattern FIGURE 1(b). Ronald “Ronnie” Moipolai performs his characteristic motional pattern FIGURE 2. Map of Botswana FIGURE 3. Bontshetse Sebako playing her setinkane (Gaborone, 30th June 2018_photo S. Montaquila) FIGURE 4. Thojane Ikageng playing his segaba (Maun, 11th July 2018_photo S. Montaquila) FIGURE 5. Home-made guitar…
Musical Bows and the Spirit of Human Discovery
FIGURE 1(a). Hunting bow transformed into a mouthbow by !Kung’ speaking performer Ndala Lupupa FIGURE 1(b). Hunting bow transformed into a mouthbow by !Kung’ speaking performer Ndala Lupupa FIGURE 2. Mpeli, monoidiochord zither played by two youngsters_Maurice Djenda and Moise Mbongo in their village FIGURE 3. Daimon Tembo from Mozambique plays his self-constructed friction bow…
Editoriale/Editorial – Etnografie Sonore n° II/2, 2019
II_2-2019_Editoriale_pag-7